It’s Not Brand Loyalty, It’s a Ritual

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I don’t have a great track record for getting attributions right, but I think it’s Tai Chi that has the idea that humans have a finite amount of energy. That if you slow your movements down enough, you extend that energy, and by extension, your life.
Please don’t fact-check me. It will ruin my train of thought.
The problem is, I can’t really slow my body down any further. I work from home. I sit at my desk all day. I make a genuine effort to never leave the house.

So instead of slowing my body, I simplify everything else.

For example: I visit a relative via the same bus route every single time.
I’ll take this bus over any other. I’ll wait for it, even in bad weather. I’ll accept delays. I’ll stand, or squash in with a busy bus, headphones pressed into my ears, because I know exactly where this route goes and how it feels to be on it. Other routes would get me there too. They would just require me to pay attention.

Once you notice I do this with buses, you’ll start noticing the same commitment in other areas too.
My laundry would give me away immediately. I own two — sometimes three — of the same items.

This isn’t really a commitment to a style. That’s just a happy bonus. These items work. They fit where I expect them to. The fabric feels right. The pockets are the correct size, which matters more than fashion ever will.

Owning multiple copies means I don’t have to jump and dance through the process of shopping and fitting again any time soon. It’s an elimination of future problems. A small act of foresight that saves me from reinventing the wheel under bad lighting. That’s the whole point.

And if you’re paying attention to my style, you’ll spot another small secret.
There are almost always three bangles on my left wrist. They come in a variety of colours, but they’re all the same weight, the same style, the same material.
Different colours, identical experience.

These things could easily be mistaken for me being really committed to certain brands.
I’m not.

This is my mental equivalent of getting up early and practising very slow movements in the park. Something like tai chi, if you squint. The kind of scene that looks serene and purposeful in an action movie, where the character is clearly preparing for something.

It’s much less cinematic to watch me simply repeat the same choices over and over again.
What this buys me is energy. Not more of it — just less wasted.
I arrive places calmer. I’m not already tired from the logistics of getting there. I have more attention left for the people I’m with, more capacity for the thing I actually showed up to do.

The bus route, the clothes, the jewellery — they don’t make my life smaller. They make it quieter. They remove friction in places where friction adds nothing, so I can spend what I have on the parts that matter.

It’s not cinematic.
It works.

#AggressiveJoy

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Notes on stubborn pleasure in difficult times

A Tactic, Not a Philosophy

At the beginning of 2025, I started using the phrase aggressive joy like a life raft.

It wasn’t aspirational. It wasn’t curated. It definitely wasn’t gentle. It was something I grabbed onto at the start of the year as a way to get through it.

A tactic.
A refusal.
A clenched fist around small good things when everything else felt heavy, uncertain, or out of my control.

Aggressive joy wasn’t about being happy.
It was demanding joy in my life the way I demand caffeine. Death before decaf applies to more than coffee, it turns out.

If the world was going to keep throwing its weight around, then I was going to meet it with stubborn pleasure. Good coffee even when I was tired. Laughing too loud. Wearing the nice thing on a Tuesday. Taking joy personally, almost defensively, like: no actually, this is mine, I am allowed it.

Fake It ’Til You Make It (And Then You Do)

At first, it felt temporary. A coping mechanism. Something to get me through the year. Fake it ’till you make it.

But the problem with tactics that work is that they tend to stick.
The problem is that sometimes you actually make it.

It served me because it wasn’t just one thing.

The Different Kinds of Aggression

Some days I had to be aggressive in seeking joy. Hunting it down on purpose, insisting on it when it didn’t present itself politely. Looking for the joyful thing like it owed me money.

For more days than I care to admit, I had to be aggressive in experiencing it. Fierce and strict with myself. This is today’s joy. Do not tarnish it with melancholy. Do not pre-empt its ending.

Other days I had to be aggressive in enjoying it. Letting myself actually have the moment without shrinking it, downplaying it, or bracing for it to be taken away. Staying with the joy instead of flinching away from it.

And some days, I had to be aggressive in sharing it. Saying the nice thing out loud. Sending the message. Letting other people see me enjoying myself even when the world felt so relentlessly, grindingly… shit.

Especially then.

Because when everything feels heavy, joy can start to feel like something you should keep quiet about. Like it’s indulgent, or naïve, or somehow out of step with reality. Aggressive joy refused that. It said: no, actually, this is part of how I survive.

The Risk of Wanting More

And sometimes it was aggressive because I was afraid of it.

Joy can feel risky when you’ve learned that good things don’t always last. When enjoyment comes with a quiet calculation about how much it might cost you later. There were days when choosing joy felt like tempting fate, like daring the universe to notice I was having a good time.

But I simply couldn’t continue without joy anymore.

I wanted this joy even if tomorrow it hurt me. Even if it made the fall sharper. Even if it meant I’d have something to miss later. I didn’t want to live as though the possibility of loss was a reason to refuse the present.

Choosing It Anyway

So I took it with my eyes open. Not naïvely, not gently, but deliberately. Knowing it might bruise me later and choosing it anyway.

That’s another kind of aggression, I think.
Not denial. Not optimism.
But courage that knows the cost and pays it upfront.

Letting It Become a Habit

Somewhere along the way, aggressive joy stopped being something I only deployed on bad days. It started showing up uninvited on ordinary ones. I’d notice myself choosing delight without first justifying it. Letting myself enjoy something without waiting for permission or better circumstances.

And that surprised me.

Because I don’t think I ever planned for joy to become a habit.

I was raised, emotionally speaking, to treat joy as conditional. Earned. Delayed until everything else was sorted. You rest after the work. You celebrate after the danger has passed. You enjoy yourself once you’re sure nothing bad is about to happen.

Aggressive joy ignores that order entirely.

It says: have the coffee now.
It says: laugh anyway.
It says: take the pleasure even if the future is unclear, even if the work isn’t finished, even if your brain insists you should be more sensible.

There’s something almost feral about that.

I think that’s why I liked it in the first place.

A Quiet Christmas

And here I am now, choosing a quiet Christmas that brings me joy.

No spectacle. No chaos. No performance of cheer. Just rest, small rituals, space and… joy. I’m still faintly confused at how this is allowed, as if someone might tap me on the shoulder and explain I’ve misunderstood the rules.

This is still aggressive joy. Choosing softness in a world that keeps demanding noise. Choosing enough. Choosing what actually fits, even when part of me expects a catch.

I don’t know what next year will need from me. I don’t know whether joy will have to be hunted, defended, shared, or risked again.

But I do know I’m not ready to retire the hashtag.

Not yet.

Pull me from the Upside Down

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On music as memory, misdirection, and rescue

In another life I would have been a rock star. All ego and wild wardrobe choices, making an artistic choice to stain my fingers black à la Michèle Lamy, and crying at the end of every concert.

But the closest I ever got was being a radio producer, and occasionally hosting some lunchtime shows. We won’t talk about the disastrous time I had to read the news. Local radio really used to be all hands on deck.

I miss the radio show, the playlists, the variety of niche music programmes. I don’t get that much any more.

I love music.

Mixtapes Were a Language

I grew up in the era of mixtapes.

Actual tapes. Hours spent deciding what went where, which song opened, which one closed, what you were saying by putting that track after this one. You couldn’t skip casually. You had to commit. Making a mixtape for someone meant effort, attention, intention.

It was a way of saying this is how I feel, without having to say it out loud.

I was good at making them too. Handing one over with no track list, keeping you guessing with each pause between tracks. Could you pick out the theme before the end?

Why Covers Hit Harder

Cover songs were clutch at keeping folks guessing, but also making them listen, really listen, to the lyrics.

Hurt.

Nine Inch Nails? Melancholic. Empty. A song of absence. A quiet, furious piece that closed Trent Reznor’s live shows like a final fuck you.

Johnny Cash’s cover of Hurt.

Ooft.
Tears.

Sinéad O’Connor — Nothing Compares 2 U
Faith No More — Easy
Yael Naim — Toxic
Muse — Feeling Good
I Fight Dragons — The Power of Love

I could go on, but I’ll save the Patrick Bateman monologue for another time.

I love music.

And I think that’s why the Upside Down idea lodged itself in my brain.

In Stranger Things, when one of the characters gets taken away, and they’re panicked, hurt, untethered from the real world, their friends don’t argue them back to safety. Nobody explains. Nobody instructs.

They play the song that knows them.
And they find their own way out.

Music as a tether.
Music as a way home.

What I loved most wasn’t the drama of it, but the simplicity. The idea that you don’t have to be clever in the moment you’re overwhelmed. You don’t have to articulate anything. You just need the right sound to pull you back into yourself.

And maybe after all this year’s therapy, a grown-up realisation: you’re allowed to choose that song in advance. You’re allowed to tell people what will reach you. You don’t have to hope they guess.

How You Find Me

So when I’m lost. When I’m untethered, overwhelmed, and unable to ask for help. When I’m upside down, this is how you pull me back.

You’ve Got the Love — Florence + the Machine.

I suppose it makes sense that it’s a cover.
I’ve always been better at saying things with other people’s songs.

The Amygdala Is Not a Reliable Narrator

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Or: how my brain keeps shouting “YOU’RE GOING TO DIE ALONE” during perfectly normal interactions.


There’s a part of my brain that is deeply committed to my survival.
Unfortunately, it is also extremely dramatic, wildly overconfident, and deeply uninterested in nuance.

This is the amygdala. Its job is to notice danger and react fast. It does not care whether the threat is actually happening now. It cares about patterns. Similarities. Vibes. A tone shift that vaguely reminds it of something that happened years ago and which it has never emotionally recovered from.

It is not subtle.
It is also not open to feedback.

Everything Is Fine, Except Apparently It Isn’t

In relationships, this manifests as volume.

A delayed reply becomes abandonment.
A change in tone becomes rejection.
A quiet evening becomes proof that something is wrong and I should emotionally prepare for exile.

Logically, I know this is nonsense.
Physically, my body does not give a shit what I know.

Because the amygdala doesn’t speak in sentences. It speaks in sensations. Tight chest. Clenched jaw. A sudden urge to either explain everything or disappear completely. Fight, flight, freeze, sometimes all three before lunch.

(Yes, a lunch I’ve probably forgotten to eat.)

This is the part of me that fears loss before it happens. The part that learned, early on, that connection could vanish without warning. It doesn’t wait for evidence. It doesn’t ask follow-up questions. It just hits the alarm and leaves me to deal with the emotional admin.

The truly irritating thing is that fear feels exactly like intuition when it shows up in the body.

For years, I mistook anxiety for insight. I thought I was being perceptive. Careful. Emotionally intelligent. In reality, I was just catastrophising with confidence and calling it foresight.


In Which I Am Actually Being Reasonable

What really adds insult to injury is that my behaviour is usually… fine.

I’m communicating.
I’m asking for clarity.
I’m noticing patterns without accusing anyone of crimes.

If someone else described doing exactly what I’m doing, I’d nod along and say, yes, that sounds healthy and proportionate.

My amygdala, however, loses her entire mind.

To her, this is not calm communication. This is escalation. This is exposure. This is the exact moment before everything goes catastrophically wrong. The same actions, viewed internally, are suddenly accompanied by sirens, flashing lights, and a voice shouting “DANGER, WILL ROBINSON.”

Abort mission.
Retreat immediately.
Or overshare wildly.
Possibly both.

She is not fair. She does not scale her response to the situation. She takes perfectly sensible actions and adds a dramatic soundtrack and spends the whole budget on fireworks, just in case.

The Double Standard, Featuring Spoons


Then there’s the double standard, which I find particularly offensive.

When I cancel plans because I’m out of spoons, it’s reasonable. When I realise that past me had wildly different ideas about what was achievable in a single day, that’s also reasonable. Annoying, yes, but reasonable. And in truth I should get a gold star for not pushing through and people pleasing. (But that’s a post for another day.)

I cancel plans. I apologise. I reschedule if I can. And crucially, I know that none of this means I don’t care. I still love these people. I still want to spend time with them. The desire didn’t evaporate just because my capacity did.

That part feels obvious to me.

When someone else does the exact same thing?

Obviously they’re pulling away.
Obviously they’ve bored.
Obviously they’ve realised something and are quietly planning their exit.

Never mind that I understand this perfectly well when it’s me. Never mind that I know, from the inside, how much love can exist alongside a last-minute cancellation. Context collapses. Compassion evaporates.

The rule book changes depending on who’s holding it.

Logically, I know this is absurd.

That this is not a threat.

Emotionally, my body is already packing a bag and rehearsing a sad little monologue about being abandoned and the smallest violin is playing just for me.

Again: not fair. Not evidence-based. Not even especially imaginative. Just a threat-detection system applying wildly inconsistent standards and insisting “this is vigilance, actually.”

Past Me Is a Terrible Project Manager


I think part of this is finally accepting that past me is not a reliable project manager. She is optimistic. She is ambitious. She looks at a day and says, yes, we can absolutely fit all of that in, and then disappears, leaving present me to deal with the consequences.

When I cancel plans, I’m often not choosing between people and rest. I’m correcting an earlier miscalculation. I’m adjusting reality to something my body, my brain can actually sustain. And that doesn’t undo the wanting. It doesn’t touch the affection. It just acknowledges that enthusiasm is not the same thing as energy.

I understand this when I’m the one making the call. I’m learning, slowly, to offer other people the same generosity. To trust that their present selves are also cleaning up after an overcommitted past version.

This, too, is not a threat.

Other People Exist, Inconveniently

I’m also learning, and this one really tests my patience, that other people have whole areas of their lives that exist without me in it. Friendships I’m not part of. Conversations I’ll never hear. Days that do not orbit my presence or absence.

And that this is, still, not a threat.

It’s not a withdrawal.
It’s not a quiet rehearsal of leaving.
It’s just… reality.

Other people having full, textured lives doesn’t diminish my place in theirs. It doesn’t mean I’m replaceable or forgettable or already on my way out. It just means I am not the sole load-bearing structure holding everything up.

Which, when I actually sit with it, is more relieving than frightening.

How wonderful it is that I have relationships with people who have rich, full lives of their own? How treasured it is to be chosen as part of that? Not by default, not by obligation, but intentionally. How rich it is to know that the people I love show up fully present when they’re with me, not tired, not overwhelmed, not running on fumes?

They come rested. They come willingly. They come because they want to be there.

Just like I do with them.

Other people having full, textured lives doesn’t diminish my place in theirs. It doesn’t make me replaceable or forgettable or already on my way out. It just means I’m not the sole load-bearing structure holding everything up.

And that, it turns out, is not a threat…
It’s abundance.

Updating the Operating System

And I think this is the real friction point: the crisis-management style of my amygdala doesn’t fit the life current me actually has.

That approach made sense once. Hypervigilance, over-preparing, scanning constantly for exits. Those were reasonable strategies in a life that felt unstable. But my life now is quieter. Safer. More ordinary, in the best possible way. The emergencies are smaller. The stakes are lower. The threats are mostly imagined.

My amygdala, however, has not updated the brief.

She treats minor emotional discomfort like a five-alarm fire. She responds to scheduling conflicts with the same intensity she once reserved for real danger. She cannot tell the difference between this is uncomfortable and this is unsafe, and she would very much like me to act quickly, while because she can’t see beyond the hill of this crisis.

I don’t need to dismantle the alarm system.
I don’t even need to silence her.

I just need to stop letting her run the day-to-day operations of a life that no longer requires constant emergency response.

Current me gets to choose tools that fit. Tools that assume continuity instead of collapse. Tools that trust that care doesn’t vanish overnight, that people don’t disappear because of one cancelled plan, that love can exist alongside rest.

So when the alarm goes off now, I’m learning to pause. I’m starting to check the facts. I remind myself that past me had a very different job, and did the best she could with what she had.

Then I thank her.
And I turn the volume down.

She hates this.

Family Resemblance

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On growing up, letting go of coolness, and finding yourself in the wrong Addams


The Dream

When I was younger, I wanted to be cool and mysterious.
I wanted to be Wednesday.

Specifically: Christina Ricci’s Wednesday. Deadpan. Central. Still. A child who never flinched and never explained herself. She didn’t need to perform charm or softness. She was sharp, contained, and unknowable. I wanted that kind of power. The kind that comes from silence.

If I’m honest, I also wanted to be Morticia. Angelica Huston’s Morticia, to be exact. Elegant. Serene. Untouchable. The sort of woman who moves through the world like she already knows how everything ends, and is fine with it.

That felt like the dream.
Composed.
Graceful.
Above it all.

What I Mistook for Strength

When you’re younger, it’s easy to mistake restraint for strength. To believe that if you could just be quieter, cooler, more contained, you’d finally be safe. That people wouldn’t see too much, ask too much, or expect too much.

The problem, of course, is that Wednesday stays a child forever.
And Morticia, despite the stillness, is not quiet at all. She is calm, yes — but she is also deeply, theatrically alive.

It took me an embarrassingly long time to realise that.


The Family, Not the Centre

Growing up means learning that the characters you admire are not always the ones you resemble. Sometimes they’re the ones you reach for because you think they’ll save you from yourself.

And the other thing I missed, for a long time, is that the Addams Family isn’t built around any one person being the centre.

It’s built around belonging.

The family is huge. There’s room for everyone. Even the strange ones. Especially the strange ones. No one has to shrink to fit. No one has to justify their weirdness. It’s assumed. It’s welcomed.

My hair was far too frizzy to be Cousin Itt.
My cooking is significantly better than Grandmama’s.
And poor Pugsley — everyone forgets him, which feels unfair, because someone has to be quietly doing their best in the background.

I tried on all of them at some point. Morticia’s composure. Wednesday’s silence. Even, briefly, the idea that being aloof would make me safer.

It didn’t.

The Realisation

Because the truth I eventually arrived at is this:

I’m Gomez.

I am theatrical. I am earnest. I am all-in on the things I love. I have passions, and I honour other people’s passions too, even when I don’t understand them. Especially then. I try not to punch down. I do my best not to mock sincerity. I believe devotion is a virtue.

Gomez is ridiculous, yes.  But he is also deeply principled. He knows exactly who he is. He loves fiercely. He shows up with enthusiasm and flourish and zero embarrassment about the size of his feelings.

That’s the part I couldn’t see when I was younger. I thought being taken seriously meant being restrained. I thought coolness was the goal.

But safety didn’t come from being untouchable.
It came from being seen and loved loudly.

There is relief in realising you don’t have to be the still, sharp centre of the room. That you can be the one gesturing wildly at the edges. That you can care too much, feel too deeply, laugh too loudly, and still be held.


The Release

The release, I think, is this:
Donnez-moi la joie.
Donnez-moi le chaos.
Donnez-moi tout.

Oh, ’Tish. That’s French.

Give me passion and theatrical nonsense and love without irony or shame.

I don’t need to be cool and mysterious anymore.
I just need to be home.

A Quiet 150 Days

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I’m 150 days sober.

I didn’t mark it on purpose.
I didn’t have a countdown or an app or a plan to announce anything. I only checked because people kept bumping into the edge of it, and it turned out to be one of those milestone numbers humans seem to agree are important. Or at least worth mentioning.

One person commented and asked if I drink anymore.
Another offered me a booze gift and I declined.
Someone else wanted to buy me a beer as a thank you, and I said no again.

After the third time, I thought, huh.
And then I looked.

I should probably say this clearly: I don’t identify as an alcoholic. I’ve been to an AA meeting. I’ve seen what alcoholism looks like when it tears through people and families and lives. I don’t recognise myself there, and I don’t want to borrow someone else’s language for an experience that isn’t mine.

Nothing burned down.
Nothing dramatic happened.

But I also don’t like my brain when it’s drunk.

Alcohol doesn’t soften my thoughts, it sharpens them in all the wrong directions. It makes everything louder, blurrier, meaner. I don’t become relaxed or expansive. I become slightly unmoored from myself, and then I have to live with the emotional hangover the next day.

So I stopped. Quietly. Without ceremony. I just didn’t start again.

What’s interesting is this: if you can remember the last time you drank, and the date, maybe there’s something there worth paying attention to.

I remember the last time I drank.

It was a paid-for party. Drinks included. Free, in the way that makes refusing feel faintly rude. There was no pressure exactly. No one insisting. Just that gentle peer expectation that you partake. That you accept what’s offered. That you don’t be awkward about it.

So I did.

Not because I wanted to.
Not because it sounded good.
But because I thought I should.

That was the moment something clicked.

If the reason I’m drinking is “because I should,” that’s information. If I’m consuming something out of politeness, momentum, or a desire not to disrupt the social script, then it’s probably not doing what I once thought it was doing for me.

That doesn’t mean I had a big problem.
But it probably means I had a small one.
Or at least a small, persistent habit of doing something to myself for reasons that weren’t actually mine.

Here’s the pivot, I guess.

This isn’t the first time I’ve tried to stay sober.
What’s different this time isn’t willpower or insight or some newly unlocked level of self-control.

It’s that I quietly let a few people drift out of my social circle.

Not dramatically.
Not with speeches or ultimatums.
Just by noticing who I only ever saw with a drink in my hand, and who I felt I had to explain myself to when I didn’t want one.

And for the first time, I didn’t replace them.
I didn’t scramble to fill the gap.
I didn’t pretend I was fine with things that didn’t actually feel fine.

I also didn’t hide it.

I didn’t make excuses.
I didn’t soften it.
I didn’t say “just for now” or “I’m taking a break” to make it easier for other people to hear.

I just said no, and let that be enough.

That might be the real difference. Not the absence of alcohol, but the absence of the performance around it. The relief of not managing other people’s comfort while trying to take care of myself.

I didn’t stop because I hit a bottom.
I stopped because I noticed a pattern.
And then I changed the conditions around it.

What surprised me wasn’t missing drinking. It was missing the noise it took with it. Evenings got calmer. Mornings got kinder. My thoughts didn’t suddenly behave, but they stopped kicking the furniture on their way past.

There’s grief in that too. Letting go of something that was never catastrophic, just not great. Letting go of people, too, who weren’t bad, just not compatible with the version of me I’m trying to keep alive.

I don’t evangelise sobriety. I don’t think everyone should stop drinking. I don’t think alcohol is evil. I just think it doesn’t agree with me, and I finally listened.

So yes.
150 days.

Not loudly.
Not proudly.
Just quietly enough that people noticed before I did.

And maybe that’s the point.

Lukewarm Tea & Other Disappointments

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A study in moderation, misquotes, and why I still prefer coffee.

When I was younger — young — back when I was still brave enough to actually write in notebooks instead of hoarding them like endangered artefacts, I kept a book of quotes.

Lines I thought were cool, or clever, or profound. You might call them “edgy,” but that wasn’t really a word in the late 1900s. Back then, you could be deep or weird, and I was just a ginger from Liverpool.

On the very first page of that notebook, in my best dramatic handwriting, I wrote a quote I found online. A quote I was convinced was ancient, wise, and philosophical. A quote I believed Socrates himself had penned, probably while staring moodily into the middle distance.

It went like this:

At twelve years old, reading that? I thought I was the coolest thing alive.

I didn’t understand half of it, but it sounded intense, and I was absolutely certain a Greek philosopher had written it on a stone tablet or whatever.

Finding out years later that it wasn’t Socrates but Dan Millman, and that he wrote it in a book sold at Waterstones, was… humbling.

I’ve never read the book, but the quote stuck with me anyway. Partly because it’s dramatic in a way my teenage self adored, and partly because moderation actually is hard.

The Present Problem

Cut to now: a grown adult allegedly capable of responsibility, staring down the holiday season with the earnest hope of saving for an actual trip away. A real break. A proper escape. Something Future Me might thank Present Me for, if Future Me ever exists and isn’t replaced by an equally chaotic upgrade.

I want to be moderate. I do. I want to budget sensibly, make good choices, cook actual meals that don’t come in cardboard, and greet January with both memories and money. But moderation is so much harder than it sounds. Especially when December hits and executive function dissolves like a sugar cube in hot water.

This is the season where everything conspires to grind you down until you give in to hedonism. Suddenly every advert, every menu, every streetlight is whispering, “Go on. Treat yourself. You’ve earned it.”

And maybe I have. But treating myself often means opening a food delivery app with the resigned sigh of someone who knows very well that this is sabotage, but will do it anyway, because chewing joylessly on carrots doesn’t feel like survival.

The alternative isn’t noble, though. When I’m not giving in to hedonistic takeaways, I swing hard in the other direction.

Asceticism.
Punishment.
The monastic discipline of someone who has confused “stability” with “penance.”

Rice.
Instant ramen.
Vague resentment.

But it’s not balance. It’s a performance of self-control so dramatic that even my teenage “Socrates wrote that” self would roll her eyes.

And that’s the real problem: it is so easy to live at the extremes. To be all feast or famine, all indulgence or austerity.

Moderation requires something far more challenging:
making a reasonable decision when you’re tired, overwhelmed, overstimulated, and the algorithm is dangling a limited-time dessert pizza at you like a hostage negotiation.

A pull quote on dark green background "But it’s not balance. It’s a performance of self-control" 
The word performance is highlighted in bright pink

The Pivot

It turns out the extremes, the feasting and the fasting, are easy because they’re emotional. They give you something to inhabit. A mood. A story. A posture.

Extravagance says:
“Screw it, you deserve joy.”

Asceticism says:
“Suffer now, thrive later.”

Moderation says:
“Make a sensible choice.”

And honestly? I hate it here.

Because moderation requires presence. Attention. Consistency. The kind of quiet, ongoing effort that never gets applause and never generates dopamine.

A pull quote on a sage green background. 
"Boring us hard. Especially for a brain that craved crescendos."

It’s showing up for a future self I don’t always believe in. It’s making decisions that feel small and mundane and unheroic.
It’s choosing not to dramatically overspend and not to dramatically punish myself for wanting things.

Moderation is boring, and boring is hard — especially for a brain that craves narrative arcs and emotional crescendos.

But boring is also where the real life happens.
Not the fantasy life, not the meltdown life… the actual life I have to live day by day. The life I’ll be living in five years, ten years, the one I’m squinting at in those pension calculators. The life where taking a holiday requires saving slowly, repeatedly, without drama.

Moderation is the tiny bridge between now and the future I keep insisting I want.

The Release

So I’ll practice moderation.
For now. For as long as I can manage.

Until, inevitably, extravagance or asceticism seduces me again… because they’re dramatic, and messy, and far more fun.

But I’ll keep trying. I’ll keep saving. I’ll keep choosing the middle path even when it tastes like nothing.

Moderation is lukewarm tea, and I’ll drink it…
but I’d rather have coffee.

Learning to Be Relaxed

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Tonight I am, against all odds, relaxed.*

Not “scrolling while pretending to unwind.” Not “strategically multitasking rest.” Just… sitting. Knitting. Listening to music. Existing.

And because my brain can’t leave well enough alone, I went to find a better word for how I’m feeling.** Something more poetic, more dramatic, more me. I opened a thesaurus. It said: relaxed.

No italics, no fanfare. Just the word itself, sitting there like it’s the simplest thing in the world.

The Discovery

If this is what relaxed actually feels like, I’ve been doing it wrong most of my life.

I used to think relaxation was something you earned. A reward you got once the to-do list was vanquished and the inbox quieted down. But rest never arrived that way. I’d tick everything off, sit down, and immediately invent a new list. My brain treats stillness like a threat; if it’s quiet, something must be wrong.

So instead, I chased productive calm. The kind where you’re “resting” but also meal-planning, doom-scrolling, and mentally preparing for the next 72 hours. It looks like downtime. It isn’t.

The Practice

Somewhere in the last six months, between shared kitchens and quiet evenings, I stumbled into this new kind of calm. The small, low-effort, no-explanation kind.

No scented candles. No meditation apps telling me to breathe. Just music, yarn, and enough mental space to stop narrating my every thought like another of my podcasts that no one subscribed to.

I’ve also been sober through all of this. Not in a manifesto way, more in a “let’s see what happens if I actually feel my feelings” way. Turns out, I don’t need wine*** to be introspective. Just wool and Wi-Fi.

And I’ve been med-free too, so really, a totally relaxed person with cPTSD is breaking the million-to-one odds here. Someone call Guinness.****

There’s something deeply strange about feeling your nervous system unclench for what might be the first time in years. It’s not euphoric. It’s not cinematic. It’s just… relaxing. Ordinary. Like slipping into a bath that’s finally the right temperature.

The Joke

I always expect tension to tap me on the shoulder. My brain whispers, Shouldn’t you be doing something?
And I usually answer, probably.

That’s how you know you’re relaxing: by the low-level guilt that you’ve kicked your responsibilities into the long grass.

But not this time. This time, there’s just an unfamiliar feeling of quiet. One I had to slowly, silently move through the long grass to glimpse before it startled and fled.

The Aggressively Peaceful Bit

It’s funny. I’ve spent years chasing chaos, noise, novelty; things that make me feel alive. Turns out, being alive feels a lot like this too. The quiet, unremarkable kind of joy that doesn’t need documenting*****, scheduling, or justifying.

So yeah. I’m relaxed.

Apparently, that’s a whole new skill. And I think I might commit to this hobby for a while.

*Well not right now, sorry to spoil the illusion, but right now I’m on an early train, wishing I’d packed earlier and gotten more sleep. But that’s another story.

**If I’m honest, the only reason I even thought to look it up is because I was trying to document it. That’s what alexithymia does: it makes me name feelings so I can recognise them later. I wanted a word to pin this one down.


***I never liked wine. It just has good alliteration with wool and Wi-Fi.


****I never liked stout either.

*****Ssshhh, I know this is documenting. Leave me to my fun.

Six Months of Quiet Company

by

This week marks six months of living alone… well not exactly, but also kinda.
I share a house with five other people. We cross paths in the kitchen, politely ignore each other’s laundry, and share an unspoken agreement that we don’t discuss the quality of bathroom singing.


It’s not solitude exactly, more like a soft coexistence.

The Middle Ground

After nearly twenty years of living with partners and kids and noise, this has been my quiet middle ground. I still hear footsteps, laughter, the occasional blender. It’s reassuring. There’s life here, just not mine to manage.

I’m probably the oldest person in the house by a good stretch. Everyone else has energy that hums, it’s just a different frequency. One I can admire from a time worn path.

I joke that I’m the household cryptid: sightings are rare, but the evidence of my existence (mugs, tea, the occasional scent of toast) is undeniable. But I make the joke only to myself, gods forbid I engage in conversation… I have a spooky reputation to maintain.

The Comfort

It’s oddly comforting. I can be social on my own terms and vanish without explanation. There’s no loneliness in it, just the small luxury of choosing my own volume.

Six months in, I’ve realised this is the kind of independence that suits me. Not isolation, not reinvention, just steady, ordinary living.

The Aggressively Peaceful Bit

There’s something deeply satisfying about being a quiet part of other people’s world. The house hums. The lights shift. Someone else’s playlist seeps through the walls. And I’m here making coffee, answering messages from my people, and feeling, finally, at home.

Because peace doesn’t always come with silence. Sometimes it’s the sound of someone else’s blender at 7 a.m. and the soft, defiant joy of knowing you’re building a life that’s aggressively peaceful.